I know that’s quite a mouthful when it comes to artful philosophy, but there’s really no other way to describe Arno’s work. What makes it so different is the fact that it is so real. This is the key to his work. In a way, there is a bit of spiritual affinity between his work and surreal paintings from the 1920s and 1930s. The starting point is something familiar, something that is common and every day.